Written by Kieran Hurley and Gary McNair
Directed by Finn den Hertog
Concise, energetic and comically peppered with the syncopations of Scottish teen speak, Kieran Hurley and Gary McNair’s clever two-hander offers a fresh take on the well-travelled territory of adolescent tribulations.
The action takes place a boy’s room at Hammerston High, a ferociously average school somewhere in generic suburbia. Here, teenager Mark Adrian Kyle Sebastian Brocklehurst (Daniel Portman), who understandably prefers to be called Max, imagines a cheering crowd of adoring fans as he delivers a victory speech in the style of his hero, pro wrestler Randy “Macho Man” Savage. The daydream is, of course, a coping mechanism. In real life, Max’s prospects are not so bright. He has been challenged to a “square go”, a mano a mano fight wherein two boys – no weapons, bare hands – duke it out to see who is the better man. Max is, understandably, petrified. His opponent is none other than Danny Guthrie (offstage), known throughout the school as “A beast. A legend. A man mountain”, who can make mincemeat out of any opponent. Max’s strawberry lace-munching best friend and ring man Stevie Nimmo (Gavin Jon Wright), tries to psych him up for the fight, but never misses an opportunity to send a bit of insult comedy (or “pish” to use the colloquial term). While the clock ticks ever closer to game time, Max and Stevie break the fourth wall, talking directly to the audience, and sometimes encouraging us to participate in the show. Over the course of a whirring 65 minutes, the boys overflow with pubescent zeal as they morph into stuffy physics teacher Dr. Hobbins, school bully Big Jordan, and other key figures, real and imaginary, in their small town lives. As they reconstruct the faux pas that got Max in trouble in the first place, darker shades of the story emerge. It turns out Danny Guthrie is punching back at a world that discriminated against someone he loved, that Max’s need for fantasy is fueled by the dysfunction in his household. All the while, the big confrontation beckons, but an unexpected twist beckons Max and Stevie to take their first steps into a bigger, more daunting proving ground.
Director Finn den Hertog uses the intimate three-quarter round stage to great effect, balancing Wright’s frenetic footwork with Portman’s restless strategizing as in an evenly-matched prizefight. Peter Small’s lighting design is timed to neatly coincide with the script’s one-liners and turns of mood, while Martha Mamo’s props capture both the mundane and fanciful trappings of adolescence. None of it work, of course, without the remarkable rapport between the two actors. Portman and Wright embody the very essence of the disappointments, frictions, laughter and closeness of two outcasts whose mutual misfitness forms the basis of intense- and possibly enduring – friendship.
SQUARE GO continues through June 30, 2019 at 59E59 Theaters, 59 East 59th Street, New York, NY 10022. Tickets https://www.59e59.org/ticket-information/