Written by A.R. Gurney
Directed by Jonathan Silverstein
Well served by the perennially solid Keen Company, A. R. Gurney’s Clinton-era seriocomedy pins its astute psychological insights to a clever theatrical conceit. As the two romantic leads carry the main story line, two versatile supporting players stretch their acting muscles (and the wardrobe department’s ingenuity) as they morph into cavalcade of incidental characters. The production falls just a hair shy of the crisply timed delivery the material demands. But it will no doubt tighten during the run as the actors – all of them equipped with remarkable comedic skills- become more accustomed to the show’s myriad costume changes and entrance cues. As for the script, it’s old school in the best sense of the word. Taking in place in real time and in a single setting, the story unfolds naturally, with just a hint of farcicality, like a splash of crème to cassis in a glass of champagne, to keep things interesting.
On a balmy night in Boston, dapper Austin (Laurence Lau), attends an elegant soiree held in a swanky apartment overlooking the harbor. His fashion-conscious friend Sally (Jodie Markell in the first of her many roles) tells Austin to wait on the rooftop patio while she fetches a friend she wants him to meet. Austin scarcely has time to take in the view before his reverie is punctured by the arrival of Jimmy (Liam Craig in the first of his many roles), an eccentric college professor who sermonizes on the virtues of smoking even as he struggles to give it up. There are many such episodes throughout the next 90 minutes, as a series of endearingly odd party guests wander out to the roof, disrupting the growing intimacy between Austin and Ruth (Barbara Garrick). At first, the two seem to be, as Sally predicted, perfect for each other. But as the evening wears on, they discover they have profound differences as well. For their budding romance to have a chance, Austin will have to overcome his New England stuffiness, Ruth to resist the impulse to reunite with her dangerous-but-exciting ex-husband. Large questions loom as well. Does later life bring greater self-awareness and therefore better odds of getting it right? Or are we, like Jimmy and his cigarettes, fated to repeat old patterns even when we’re old enough to know better?
Jonathan Silverstein, handles the story’s blend brightness and melancholy with a light, but never timid touch. Steven Kemp’s set and David Lander’s lights vividly underscore the story’s shifting moods, making the rooftop background a kind of character in its own right. Jennifer Paar’s opulent costumes speak volumes about the personalities and social training of a sprightly Ruth, staid Austin, and motley host of revelers. Wig and hair artists Dave Bova and J. Jared Janas rise to the show’s challenges with panache and precision.
LATER LIFE continues through April 4, 2018 at The Clurman Theatre, 410 West 42nd Street (between 9th and 10th Aves) New York, NY 10036. Tickets at http://www.telecharge.com.